Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand. For all one knows that demon is simply the same instinct that makes a baby squall for attention. And yet it is also true that one can write nothing readable unless one constantly struggles to efface one’s own personality. Good prose is like a windowpane.

I cannot say with certainty which of my motives are the strongest, but I know which of them deserve to be followed. And looking back through my work, I see that it is invariably where I lacked a political purpose that I wrote lifeless books and was betrayed into purple passages, sentences without meaning, decorative adjectives and humbug generally.

# George Orwell - Why I Write

I was helping my sister today with her Uni essay and read this passage from Orwell’s book ‘Why I Write’. It stuck with me all day and I felt like sharing it.

I watched “Paprika” last night, directed by Satoshi Kon. I was surprised to learn that it’s actually based on a novel that was adapted to a screenplay. I can’t quite picture it as a novel after watching that. I can, however, see why Satoshi directed this film, as it reminded me a lot of his “Paranoia Agent” series which he wrote and directed himself.

It’s a visually stunning piece, but I still think “Perfect Blue” and “Tokyo Godfathers” are his best work, but Paprika certainly is a joy to the senses both in visuals and sound. After the movie ended, I had to find the soundtrack on iTunes. It’s funky

Paprika: Don’t you think dreams and the Internet are similar? They are both areas where the repressed conscious mind vents.

I’m also currently reading “Welcome to the NHK“. It’s rather good. I ordered volumes 1 and 2 nearly 3 weeks ago and volume one arrived the day before yesterday. I wasn’t sure what to expect from the book, but I found it a weird coincidence that I finished writing my ‘Static’ short story, which is about a man suffering from agoraphobia, and the lead character in NHK is a recluse with similar tendencies. I should have ordered this earlier XD Would’ve been a good reference source.

Think I’ll go finish reading it in bed.

I was going through a bunch of print outs of character designs, thumbs and plans earlier at work today, and I quite liked how they looked together. When I got home this evening, I fanned them out a bit to take a picture

This is the first public peek anyone’s had at the anthology so far. I’m still working on the last two scripts, but I figured thing’s are moving along nicely so it’s fine to divulge some artist info finally.

Here’s the list of the artists and stories in the book:

• Michael Kachar - The Seconds
• Selina Dean - Malignant
• Nana Li - Girl in a Box
• Gillian Sein Ying Ha - What is it?
• Wing Yun Man - Static
• Sonia Leong - Hero

Having some real fun with this so far, especially with the piece I’m working on with Wing. Which also happens to be one of the unfinished scripts *cough* So uh.. yeah, back to work.